Theatre as an Art Form Does Which of the Following

[photo: The Ancient Theatre at Delphi in Greece, past Leonidtsvetkov from Wikipedia]

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AGITPROP
The original sense of agitprop was "agitation and propaganda on behalf of Communism", or "a authorities agency or department responsible for agitation and propaganda". The main current sense of the word is simply "propaganda, especially socially or politically motivated propaganda appearing in literary works, films, etc."; though the word often refers to political propaganda, information technology is non restricted to communist doctrine.
The word agitprop is first found in English language sources in the mid 1930s.
From the Random Business firm Word of the Day website.

Bourgeois TRAGEDY
Bourgeois tragedy (German: Bürgerliches Trauerspiel) is a form of tragedy that developed in 18th-century Europe. It is a fruit of the enlightenment and the emergence of the bourgeois course and its ethics. Information technology is characterized by the fact that its protagonists are ordinary citizens.
Wikipedia entry

BRECHT / BRECHTIAN*
TO BE DEFINED

Caricatural
Adult-orientated entertainment, consisting of dancing, minimal costumes, songs and comic sketches. Popular from the 1840s in Europe and the USA.

COMEDY
An entertaining performance designed to make an audience laugh.
In Greek and Roman theatre, whatever play with a happy ending was called a one-act, regardless of whether it was funny.
Sketch One-act - a series of curt unconnected scenes, with comedic and/or stylised performances, containing jokes, which may be topical and/or satirical.
High Comedy (also known as pure or highbrow comedy) is a type of comedy characterized past witty dialogue, satire, biting sense of humour, or criticism of life.
Low Comedy (also known as lowbrow humour) is more concrete comedy, using slapstick or farce, with no purpose other than to cause the audience to laugh.
See also SATIRE.

DINNER THEATRE
A theatre functioning that includes a meal, either at the same venue or at an side by side restaurant.
Although information technology was popular in the 1950s in the USA (as Dinner Theater), there are still many venues worldwide where a live functioning is accompanied by a meal, usually in a tourist-focussed themed attraction. Examples run daily in Las Vegas or Orlando, Florida, and include murder-mystery themes, medieval themes, or magic shows with dinner served.

DOCUMENTARY THEATRE
Documentary theatre, or theatre of fact, is theatre that wholly or in part uses pre-existing documentary material (such as newspapers, regime reports, interviews, etc.) as source fabric for the script, ideally without altering its wording.
Where it's featured solely on the words of others, unremarkably members of the public in a particular situation, it's known as VERBATIM THEATRE.

DUMBSHOW
A piece of mimed action. Used in Shakespeare'due south Hamlet to summarise and comment on the main plot.

Cease ON
Traditional audience seating layout where the audience is looking at the stage from the aforementioned management. This seating layout is that of a Proscenium Arch theatre.
Likewise known as Proscenium Staging.
The end-on phase can exist split into 9 areas: upstage right, upstage centre, upstage left, heart stage correct, centre stage, centre stage left, downstage correct, downstage centre, downstage left.
See too THRUST, IN THE Circular, TRAVERSE.

Epic THEATRE
Ballsy theatre is a theatrical movement arising in the early to mid-20th century from the theories and practise of a number of theatre practitioners who responded to the political climate of the time through the creation of a new political theatre.
Ballsy theatre is not meant to refer to the scale or the telescopic of the work, but rather to the grade that it takes^. Epic theatre emphasizes the audience's perspective and reaction to the piece through a diversity of techniques that deliberately cause them to individually engage in a different mode The purpose of epic theatre is not to encourage an audience to append their disbelief, only rather to forcefulness them to come across their earth as information technology is. (from Wikipedia)
Wikipedia entry

EXPRESSIONISM
Theatre design and performance mode which places greater value on emotion than realism. The trademark Expressionist effects were frequently achieved through distortion.

FARCE
Course of comedy play originated in French republic, using fast-paced physical action and visual comedy more than humour based on language.
In London's West End, post-obit the Second World War, there were farces at the Aldwych Theatre (the Aldwych Farces, peculiarly those by Ben Travers) and at the Whitehall Theatre (the Whitehall Farces).

FORUM THEATRE
Forum theatre is a type of theatre created by the influential practitioner Augusto Boal equally part of what he calls his "Theatre of the Oppressed." While practicing earlier in his career, Boal would apply simultaneous dramaturgy. In this process the actors or audience members could finish a operation, oftentimes a short scene in which a character was being oppressed in some mode. The audience would suggest different actions for the actors to comport out on-stage in an endeavour to change the outcome of what they were seeing. This was an effort to undo the traditional player/audience divide and to bring audience members into the functioning, to have an input into the dramatic action they were watching.

FUTURISM
An artistic and social movement that started in Italy in the early on 20th century. In art, information technology celebrated technologies of the time - air travel, machinery, industrialisation. Futurist ideas helped to form Art Deco, Vorticism, Constructivism, Surrealism, Dada, and much later Neo-Futurism. In theatre, it fought confronting classical forms of theatre and celebrated the youthful, spontaneous, and satirical, encouraging vaudeville and music hall forms.
Wikipedia entry

Yard GUIGNOL
Shock theatre form originally from Le Yard Guignol theatre in Montmartre, Paris (opened in 1897). Specialised in portraying the macabre & gruesome to the please and horror of the audience.

IMMERSIVE THEATRE
1) A piece of linear performance where the venue has been adjusted / contradistinct to make it part of the narrative of the story. Secret Movie theatre events are immersive in this sense.
two) A piece of non-linear performance where a non-theatre venue has been completely transformed into a highly detailed earth within which the audience is free to roam and see diverse parts of the story performed in appropriate locations. The United kingdom company Punchdrunk created the concept of audience members wearing masks which allow them to wander around the space anonymously.
Punchdrunk Theatre

IN THE Circular
Theatre in the Round is a form of audience seating layout where the interim area is surrounded on all sides past seating. There are often a number of entrances through the seating. Special consideration needs to be given to onstage furniture and scenery as audience sightlines can hands exist blocked.
Stage managers and directors often use the idea of a clock face to describe actor positions on stage (eastward.thousand. the aisle nearest the technical point is described every bit the 12 O'clock position, with other aisles described as 3, half dozen and 9 O'clock.)
See also ARENA, THRUST, END ON, TRAVERSE.

INSTALLATION
1) An electrical system in a particular edifice (e.grand. "the stage lighting installation was tested last year")
2) A piece of art designed to transform a particular room or edifice into something other than a room in an fine art gallery. Installations frequently use complex sound-visual equipment and can be intensely immersive experiences. (due east.g. "In the studio infinite this week we have an installation by John Doe entitled 'Space'")

LEGITIMATE THEATRE
The term was originally derived from the UK Licencing Act of 1737, which sought to censor and control what theatrical performances were able to say most the government.
In 1660, after the Restoration of Charles 2, the previous ban on public entertainments was lifted, and letters patent were granted to Thomas Killigrew and William Davenant to form two theatre companies to perform 'serious drama'.
Other theatres were not permitted to perform such serious piece of work, just could put on comedy, pantomime or melodrama.
All performances were licenced by the Examiner of Plays.
The 1843 Theatres Human activity permitted all theatres to perform 'serious' drama, but censorship and licencing were in place until 1968, when a new Theatres Human activity was created.

Legitimate theater now refers to theatres that produce 'serious', loftier-quality professional piece of work rather than variety or caricatural.

MELODRAMA
A Melodrama is a dramatic piece of work that exaggerates plot and/or characters in order to entreatment to the emotions. It is usually based around having the same graphic symbol traits, (for example, a hero, who is fearless and who the audience is rooting for, the heroine, who is commonly in peril of some kind, which the hero rescues her from; the villain (usually likes the heroine as well) and villain's sidekick (typically gets in the way of or annoys the villain).
The term is also used in scholarly and historical musical contexts to refer to dramas of the 18th and 19th centuries in which orchestral music or vocal was used to back-trail the action.

METATHEATRE
This term, coined past Lionel Abel, has entered into common critical usage; notwithstanding, there is nonetheless much uncertainty over its proper definition and what dramatic techniques might be included in its telescopic. Abel described metatheatre equally reflecting comedy and tragedy, at the same time, where the audience tin laugh at the protagonist while feeling empathetic simultaneously.
Wikipedia entry

MINIMALISM
Artistic motility starting in the 1960s which aspired to simple form and pattern. A minimalist theatrical stage pattern might involve merely the essential compoents of the scene (e.g. a single chair and a suspended window frame, and no other set or piece of furniture).
The ruling mantra is 'Less is More'. It is ofttimes best to have away things when the phase picture is not right, rather than adding more - this applies to stage lighting as well as breathtaking design.

Miracle PLAY
Encounter MYSTERY PLAY.

MORALITY PLAY
An allegorical operation in whcih the protagonist is met past personifications of various moral attributes who endeavor to prompt him to choose a godly life over ane of evil. Pop in Europe during the 15th and 16th centuries.
Wikipedia entry

MUSIC HALL
A blazon of British theatrical entertainment popular between 1850 and 1960. It involved a mixture of pop vocal, one-act, speciality acts and variety entertainment. The term is derived from a type of theatre or venue in which such entertainment took place. British music hall was like to American vaudeville, featuring rousing songs and comic acts, while in the Uk the term vaudeville referred to more working-class types of entertainment that would have been termed burlesque in America.

MYSTERY PLAY
Also known as a Miracle Play. Traditional since medieval times, the Mystery Play is a re-enactment of bliblical scenes, usually performed outdoors in a small boondocks or village, by the community.
A Passion Play is a cycle of plays that portray the Easter story, specifically. I of the about famous is the Oberammergau Passion Play, performed in the German boondocks in years ending in a cipher.
What is a Miracle Play
Oberammergau Passion Play

NATURALISM
1) Lighting Blueprint: A naturalistic approach to lighting design requires lanterns to be placed in ways that duplicate where the light would come from in nature. For example, a sunny day outdoor scene would be lit primarily from above the acting surface area, with fill up lighting in from the sides as if from the cloud. A dark room would be lit by moonlight through a window, and the light level would increment when a door is opened from a lit corridor or when a lite plumbing fixtures is turned on.
2) Performance: A naturalistic performance (following the techniques of Stanislavski) requires that the actor completely understands and inhabits every aspect of the characters' life, as well as the motivation and lines that are to be spoken.
three) Scenic Pattern: The set up designer aims to reproduce reality as closely equally possible.

Heightened Naturalism involves exaggerating the natural elements of the scene for dramatic (or comedic) purposes.

One PERSON Bear witness
An entire performance for a single performer. As well known as One-Man Evidence or 1-Woman Show.
Relies on a strong characterisation and a confident performer. The performer is somes likewise the author, just not necessarily.
"Fleabag" is written and performed by Phoebe Waller-Bridge and was very successful at the Edinburgh Fringe and in London.
"Onetime Herbaceous" is a one-man show performed in an on-stage recreation of a gardeners' potting shed.
There are thousands of other examples.
Run across as well MONOLOGUE and SOLILOQUY.
Fleabag
Old Herbaceous

OPERA
1) European terminology meaning Opera House - lavishly decorated proscenium theatre with orchestra pit. Come across TOSCA.
2) Musical grade. Highly dramatic and stylised form where the text is completely sung.
See likewise OPERETTA, OPERA HOUSE.

OPERETTA
A short (often humourous) opera with songs (sometimes in an operatic manner) and some spoken dialogue.
The most well-known are by Gilbert & Sullivan, some of which were first performed at the Savoy Theatre in London.

PANTOMIME
1) A pantomime (oft shortened to Panto) is a musical-comedy family-orientated theatrical production traditionally performed in United Kingdom, Commonwealth of australia, New Zealand, Canada, Republic of zimbabwe, Jamaica, South Africa, Republic of india, Ireland, Gibraltar, and Malta, at Christmas-time. The panto frequently features slapstick or messy one-act routines, children dancing, recent songs, spectacular sets and colourful costumes, and is frequently themed around a fairy story or nursery rhymes.
Popular pantos include Cinderella, Aladdin, Jack and the Beanstalk, Mother Goose, Sleeping Dazzler, Snow White and the 7 Dwarfs, Dick Whittington and His Cat, Puss in Boots etc.
There are a number of traditions with panto, including that the baddie / villain must enter stage left, and the goodie / fairy godmother must enter phase right. The colour green is often used for the baddie, and pink for the goodie.
ii) Pantomime is an ancient blazon of functioning with no spoken words, often now shortened to 'Mime'.
Puss in Boots, December 2013, Hackney Empire - Audio Slideshow (The Guardian)

Functioning Fine art
An interdisciplinary functioning presented to an audience. The operation may be either scripted or unscripted, random or advisedly orchestrated; spontaneous or otherwise advisedly planned with or without audition participation. The operation can be live or via media; the performer can be present or absent. It tin be any situation that involves four bones elements: fourth dimension, infinite, the performer's body, or presence in a medium, and a human relationship between performer and audience. Performance art can happen anywhere, in any venue or setting and for whatever length of time. The deportment of an individual or a grouping at a detail place and in a particular time constitute the work.

Physical THEATRE
Physical theatre is a genre of performance which makes utilise of the trunk (as opposed to the spoken give-and-take) as the principal means of functioning and communication with an audience. In using the trunk, the performer or actor volition concentrate on:
The apply of trunk shape and position
Facial expressions
Rhythmical movement, pace and the energy of the torso
Gesture
Posture
Gait
Concrete theatre can be distinquished from dance in that it tends to focus more on narrative, character and activeness. However, the boundaries between the two are rather blurred.
In that location are diverse styles and genre of physical theatre. These include:
Physical one-act - where the body is the primary means of comic creation
Mime
Stomp- where the body, with external objects, is used for its percussive potential
Some forms of puppetry
Circus
The most famous establishment devoted to physical theatre is the Lecoq school in Paris. Students here follow the method of Jacques Lecoq, which developed out of his experience of mask work, commedia dell'Arte and his interest in the physicality of performance.
Definition from Wikipedia - click for more
Lecoq School

PROMENADE
Form of staging where the audience moves around the performance space and sees the play at a variety of different locations. Run into as well IMMERSIVE THEATRE.

REVUE
A type of performance consisting of lighthearted songs and comic sketches - a variety show.

SINAKULO
A retelling of the story of Jesus Christ, performed each year during Holy Week in lowland Philippines. Performed outdoors by and for the community in villages that discover this folk drama tradition.
See likewise MYSTERY PLAYS.

SITCOM
Short for Situation One-act - a Radio or Telly evidence featuring a regular cast of characters who, each episode, find themselves in a different state of affairs, with comic outcomes. There are often storylines or character arcs which continue alongside the weekly situations. Examples are Friends, The Role, Will & Grace, Blackadder, Futurama, Fawlty Towers etc.

SITE-SPECIFIC THEATRE
A piece of functioning which has been designed to work just in a particular non-theatre space. The space may accept been adapted to fit into the themes or style of the production. A site-sensitive (or infinite-sensitive) piece, on the other hand, volition not adapt the infinite, but piece of work with it's style and history to create a slice of operation. See also PROMENADE, IMMERSIVE THEATRE, INSTALLATION.

SKIT
A short (usually) comedic sketch, ofttimes satirical or a parody.

SONGSHEET
Traditional ending to a British Pantomime operation, usually involving the Dame character encouraging the audience to sing along with a traditional (and/or giddy) vocal that conveniently allows the stage direction team to gear up upwards the WALKDOWN, a usually spectacular finale to the performance. The lyrics of the song are flown in, in front end of the frontcloth. This sequence may as well involve announcing whatever special visitors or audience birthdays, and possibly inviting a couple of children to the phase to take part in the song.

SPECTACLE
A theatrical performance using large scale scenery and effects to wow the audience. Popularised in Victorian times, they featured water tanks, alive animals, moving stages and aerial furnishings.

STASIMON
(Greek Tragedy) A stationary vocal, composed of strophes and antistrophes and performed by the chorus in the orchestra, which ends each Episode.
Wikipedia entry

THEATRE OF CRUELTY
Theatre of Cruelty is a grade of theatre originally developed by advanced French playwright, essayist, and theorist Henry Becque.
Antonin Artaud, some 50 years afterwards, is too seen equally a main contributor to the genre, notably with The Theatre and its Double. Originally a member of the surrealist movement, Artaud eventually began to develop his own theatrical theories. The Theatre of Cruelty can be seen as a interruption from traditional Western theatre and a means by which artists assault the senses of the audience, and allow them to feel the unexpressed emotions of the subconscious. While Artaud was but able to produce one play in his lifetime that reflected the tenets of the Theatre of Cruelty, the works of many theatre artists reflect his theories. These artists include Jean Genet, Jerzy Grotowski, and Peter Brook. (from Wikipedia)
Wikipedia entry

THEATRE OF THE ABSURD
The Theatre of the Absurd is a post–World War II designation for particular plays of absurdist fiction written by a number of primarily European playwrights in the late 1950s. Information technology is also a term for the style of theatre the plays stand for. The plays focus largely on ideas of existentialism and limited what happens when human existence lacks meaning or purpose and communication breaks down. The structure of the plays is typically a round shape, with the finishing bespeak the same equally the starting point. Logical structure and statement give way to irrational and illogical spoken language and to the ultimate conclusion—silence.
Examples of absurdist plays include Beckett'south Waiting for Godot, Jean Genet'due south The Maids and Stoppard's Rosencrantz and Guildenstern Are Dead.
Wikipedia entry

TRAGEDY
Tragedy (from the Greek tragos which ways 'goat' and oide which means 'vocal') is a course of drama based on human suffering that invokes in its audience an accompanying catharsis or pleasure in the viewing. While many cultures have developed forms that provoke this paradoxical response, the term tragedy often refers to a specific tradition of drama that has played a unique and of import role historically in the self-definition of Western civilization.

TRAGI-One-act / TRAGICOMEDY
Tragicomedy is a literary genre that blends aspects of both tragic and comic forms. Most oftentimes seen in dramatic literature, the term tin variously draw either a tragic play which contains plenty comic elements to lighten the overall mood or a serious play with a happy ending.

TRAVERSE
Form of staging where the audience is on either side of the acting surface area.
As well known as Alley or Avenue staging.
Run into also IN THE ROUND, Terminate ON, THRUST.

USITT
United States Constitute of Theatre Technology.
Founded in 1960. Publisher of Theatre Blueprint and Engineering science and Sightlines journals, which are available online (see Publications in the Theatrecrafts.com Archive section).
USITT Website

VAUDEVILLE
A blazon of lite-hearted entertainment pop chiefly in the US in the early on 20th century, featuring a mixture of speciality acts such as burlesque one-act and vocal and dance.

VECCHIO
Category of stock character from Commedia dell'Arte - consists of the 'erstwhile man' characters: Il Dottore (the Doctor), Pantalone, Il Capitano (the Helm). Vecchio is the Italian discussion for 'one-time'.

ZARZUELA
A Castilian lyric-dramatic genre that alternates between spoken and sung scenes, the latter incorporating operatic and popular song, likewise as trip the light fantastic toe.

A list of words relating to different forms of theatre, including play genres, creative styles etc.Includes links to more in-depth information near Immersive Theatre, Pantomime, Operation Art and Spectacle.
Words include: Agitprop, Brechtian, Burlesque,Dinner Theatre, Documentary Theatre, Stop On, Epic Theatre, Expressionism, Farce, Forum Theatre, Futurism, Grand Guignol, In the Round, Installation, Legitimate Theatre, Melodrama, Metatheatre, Mime, Miracle Play, Music Hall, Mystery Play, Naturlaism, Opera, Pantomime, Performance Art, Physical Theatre, Promenade, Revue, Sinakulo, Site-Specific Theatre, Songsheet, Spectacle etc.,

Keywords; Types of plays, types play genres, genres plays, types play genres, forms of theatre, thetrical forms, unlike theatre forms, unlike theatrical forms, unlike forms of theatres

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Source: https://www.theatrecrafts.com/pages/home/topics/forms-of-theatre/

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